Now playing!
As her retirement approaches, Alabama tire factory worker Lilly Ledbetter (Patricia Clarkson) makes a startling revelation — the company has been paying her only half of what her male counterparts receive. With the support of her husband (John Benjamin Hickey) and a brilliant civil rights lawyer (Thomas Sadoski), Lilly's fight for justice takes her to the Supreme Court, Congress and all the way to the White House.

This week: David Lynch’s unsettling masterpiece BLUE VELVET, starring Kyle MacLachlan as a man who, after discovering a severed ear, begins an investigation and is subsequently plunged into a dangerous underworld populated by a nightclub singer (Isabella Rossellini) and her tormenter (Dennis Hopper). And DUNE (1984), Lynch’s epic adaptation of Frank Herbert’s sci-fi novel, featuring stunning visuals and an eclectic ensemble cast.

Encore screenings added!
Fabled English record producer Mark Pritchard, luminary songwriter Thom Yorke and groundbreaking visual artist Jonathan Zawada present TALL TALES — a debut collaborative visual and audio cinema experience a decade in the making. Translated into images by Australian visual artist Jonathan Zawada, TALL TALES is a fairy tale for the modern world, as we hear seasoned musicians continue down the path of experimentation.
May 10 & 13, 8:30 p.m.

Now playing!
In 2003, eight young Rhode Islanders created a secret apartment in a hidden space inside the Providence Place Mall and lived in it for four years, filming everything along the way. Director Jeremy Workman and executive producer Jesse Eisenberg deliver a poignant exploration of a group of artists who discovered their purpose within the most commercial and improbable places.

In Memoriam: Maggie Smith (1934–2024)
Maggie Smith received her first Oscar^® for her portrayal of Jean Brodie, a headstrong schoolteacher at a Scottish girls’ school who breaks from the curriculum to teach her students about art, love and other romantic ideals. Smith’s award-winning turn is a nuanced tour de force that stands as a hallmark in the canon of British performances.
May 9, 2:15 p.m.; May 10, 11:45 a.m.; May 11, 1:15 p.m.; May 12, 2:00 p.m.; May 13, 11:45 a.m.; May 14, 1:30 p.m.; May 15, 1:30 p.m.

Now through May 29
This week: Pamela Anderson is a sublime, sequin-adorned presence in THE LAST SHOWGIRL, Gia Coppola’s heartfelt portrait of a Las Vegas showgirl facing the end of her 30-plus-year career; two women working in a massage parlor in Queens navigate romance, happiness and the obligations of family thousands of miles from home in BLUE SUN PALACE; and Mexican auteur Alonso Ruizpalacios crafts a tragicomic tribute to life behind the scenes of a busy Times Square restaurant in LA COCINA, a high-wire drama that explores the illusions of the American dream.

Encore screenings added!
This highly anticipated concert film, recorded live in Lisbon, captures the celebrated artist’s groundbreaking tour that mesmerized audiences worldwide for five years. This unique cinematic experience immerses viewers in Björk’s spectacular stage production, featuring a setlist spanning from her iconic early works to the visionary “Utopia” (2017) and “Fossora” (2022).
May 10, 1:45 p.m.; May 11, 3:30 p.m.; May 15, 8:30 p.m.

New 4K DCP
College student Hana falls in love with a “wolf man” and together they have two half-human, half-wolf children. But when the father is tragically killed, Hana decides to move to the countryside, in hopes that her children may one day decide their own path to happiness — whether “human” or “wolf.” This modern fairy tale from Academy Award^®-nominated director Mamoru Hosoda is rich with gorgeous animation.
May 11, 4:00 p.m.; May 12, 9:15 p.m.; May 13, 6:45 p.m.

One night only!
AMERICAN FOOTBALL (LIVE IN LOS ANGELES) is an intimate concert film celebrating the 25th anniversary of the band's iconic debut album. Featuring live performances and candid interviews with the band, Ethel Cain, Yvette Young and M.A.G.S., the film captures the legacy and unexpected staying power of a group that helped define a genre.
May 9, 8:30 p.m.

Zetterling won the award for Best Actress at the 1946 Venice Film Festival for her role as the eponymous Iris, a housemaid in love with a young lieutenant (Alf Kjellin), who also happens to be the nephew of her wealthy employer. The affair draws the ire of the officer's family, particularly his overbearing father, who the pair soon realize will stop at nothing to keep them apart.
May 10, 2:15 p.m.; May 13, 4:15 p.m.; May 14, 11:30 a.m.

$8 tickets, now through Labor Day!
We’re pleased to announce Films for Feds, a special discount for all current and recent federal employees in our community. From now through Labor Day, present proof of either current or recent federal employment in person at the AFI Silver Box Office to redeem one $8 ticket for all regularly priced shows.

This week, two new 4K restorations: Jean-Luc Godard’s effervescent and charming Cinemascope musical A WOMAN IS A WOMAN, about an exotic dancer who, after her boyfriend balks at the idea of having a child, begins to court his friend for the job instead. And the 65th anniversary of Billy Wilder’s poignant comedy THE APARTMENT (1960), starring Jack Lemmon, Shirley MacLaine and Fred MacMurray.

Now playing!
In an eerie near-future, techno-entrepreneur Karsh (Vincent Cassel) has developed a new software that will allow the bereaved to witness the decay of dead loved ones buried in the earth. But after the death of his wife (Diane Kruger), a spate of vandalized graves utilizing his “shroud” technology leads him to uncover a potentially vast conspiracy. This new film from David Cronenberg is a thought-provoking consideration of the corporeal and the digital, the mortal and the infinite.

Now playing!
In France's eastern farming region of Jura, 18-year-old Totone becomes the man of the house after his father suddenly dies. He dreams of winning the regional competition for producing Comté cheese. To do so, he and his pals steal high-quality milk from a neighboring farm. But unexpectedly, Totone meets and falls for the young woman who owns the farm.

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